Licensing is anything related to granting the right to use your artwork, design, or asset to someone who is looking to generate revenue with your intellectual property or derivative work while earning you royalties. These can be found in specific contracts with agreed fees, time frames, and particular individuals when downloading or buying fonts, brushes, digital assets for streaming, and more.
You should consider the value of the potential of your work when estimating the value of “exclusive”, “unlimited”, or “all rights” agreements.
Graphic Artist Guild Handbook Pricing & Ethical Guidelines 14 Edition
It is a contract or agreement between the licensor and a licensee, where the licensor grants permission to the licensee to use their intellectual property, an asset, brand, trademark, or patented technology in products (digitally or physically) for commercial purposes.
It’s a type of passive income that compensates for the artist’s contribution and value of their works while allowing others to reproduce the intellectual property or assets in exchange for royalty payments without the need to produce new pieces (if applicable), and still retain legal ownership of the work. It can be considered as an additional type of earning for a living. This type of business is full of opportunities to generate revenue in new markets and expand to broad audiences.
It is important to mention that royalties are negotiable, if no advance or fair compensation is offered, the artist can ask for a higher royalty compensation. A successful deal can be achieved if the artist carefully evaluates the project’s scope by asking the client or licensee for details. Royalties can be carried out in negotiations with retailers (sells products directly to consumers) or wholesalers (sell products in bulk to businesses).
Licenses don’t revolve around pre-existing work only, it can also be of the creation of a new artwork or design. If a licensee requests such creation, the artist is entitled to an additional separate payment and should be paid in advance for the soon-to-be licensing work.
Let’s remember that the artist, according to the copyright law, is the creator and has ownership of every artistic or literary work, which additionally can divide their bundles of rights and sell them such as:
According to the copyright law of the USA, the sale of reproduction rights of the sale of the original piece is not included in the original sale of said artwork. This means that the reproduction of the original piece to generate an income must be done within a separate transaction with an agreement.
Artists need to learn to negotiate a good royalty deal when licensing their artworks with potential licensees as a crucial step to maximize profits. On the contrary, the artist will live awfully compensated and deprived of thriving if they charge the same price between extensive/all rights and limited rights due to mistakes and abuses. The artist is not only responsible for specifying the types of granted rights of usage (reproduction) with their requirements and restrictions, creating appropriate negotiations, but also identifying the client’s needs when being requested for a right license.
Before proceeding with any type of negotiation with your art licensing and royalties, make sure to register your artwork or designs with the appropriate legal department for better and extended protection against any dispute or copyright infringement claims.
Although it can vary, especially due to location, demand, and jurisdiction’s law, the most important factors are the ones in bold.
The thing about freelance, whether it be signing a contract, developing a project, or negotiating royalties, it is all about an act of good faith, based on transparency, ethics, and open and honest communication between both parties. It is recommended that during the negotiation of licensing and royalties, the artist can monitor the sales, as part of the contract, by requesting sale data.
Current data indicates that reuse, more extensive use, use in additional markets, or international uses receive additional compensation.
Graphic Artist Guild Handbook Pricing & Ethical Guidelines 14 Edition
That’s it for now with the first part. You can read the second part about Art Licensing and Royalties to dive into more complex and technical aspects when negotiating with potential licensors. Also, if you are interested, I wrote The Importance Of Creating A Contract Part 1 and Part 2, how to build contracts for Work For Hire, Commission, Art Licensing & Royalties and Estimate, Invoice, and Receipt.
NOTE: I want to emphasize that this post is for educational purposes, legal information is not the same as legal advice. Therefore, it is recommended that you consult with a lawyer to obtain more professional guidance in the legal field.
Resources
Graphic Artist’s Guild. (2013). Graphic artist’s guild handbook of pricing and ethical guidelines (14th ed.). Graphic Artists Guild.
Brophy, M. (2012, April 26). What to charge for art licensing – royalties advances and flat fees. Maria Brophy. https://mariabrophy.com/art-licensing/what-to-charge-for-art-licensing-royalties-advances-and-flat-fees.html
QueryLetter.com. (2020, November 10). How do advances and royalties work?. QueryLetter.com. https://www.queryletter.com/post/how-do-advances-and-royalties-work
Stim, R., & Farkas, B. (2023, May 18). Licensing artwork: Negotiating and Monitoring Royalty payments. www.nolo.com. https://www.nolo.com/legal-encyclopedia/licensing-artwork-negotiating-monitoring-royalty-payments-30093.html
Cook, B. (2024, November 15). Royalty payments: A comprehensive guide. Tipalti. https://tipalti.com/blog/royalty-payments/
Salunkhe, R. (2024, November 27). A guide to art royalties and licensing for creative success. Photo To Portrait: Hand-Painted Portraits By Pro Artists. https://www.whataportrait.com/blog/art-royalties-and-licensing-guide/
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